- Front
- Back
- Side
P1
AVB processor and measurement platform
| Architecture | 20 x 16 (+ headphones) |
| Busses | 8 DSP busses + Cue Bus |
| I/O | 8 Milan-AVB I/O, 4 Line I/O, 4 AES I/O, 4 Mic/Line inputs (48V) |
| Processing (per bus) |
Gain, mute, polarity, delay 16 EQ filters Clip protection |
| Height | 1U |
| Network | Milan-certified with seamless network redundancy |
Inspiration
Janet Jackson Extends Her Landmark Las Vegas Residency, Featuring L-Acoustics L-ISA Hyperreal Immersive Sound Technology
5XT
A10i Wide
K Series
K2
KARA
KS21
KS28
L-ISA Hyperreal
L-ISA Immersive
L-ISA Processor II
LA12X
LA2xi
LA4X
P1
Shrine Auditorium and Expo Hall Delight Touring Artists and Audiences with L-Acoustics K Series Concert Sound System
A15
A15 Focus
K Series
K2
KARA II
KARA/KS28
KS21
KS28
LA-RAK II
LA12X
P1
San Francisco’s Historic Regency Ballroom Improves Sightlines and Stage Sound with West Coast’s First Permanent L Series Concert Sound System Installation
A10 Focus
A10 Wide
KS28
L2
L2D
LA12X
LA7.16i
P1
Related Products
Need more information?
Check out our Documentation Center for more documents on this product.
Power supply
| Mains rating | 100 V - 240 V ( ±10%), 50-60 Hz |
| connector | Lockable IEC connector C13 with power on/off button |
DSP
| Digital Signal Processor (DSP) | Dual SHARC 32-bit, floating point, 96 kHz sampling rate |
| Matrix Mixing | 20 inputs to 8 independant busses Mute, gain, PFL/AFL |
| Busses | 8 busses + cue bus |
| Processing per bus | Mute, gain, polarity Delay up to 4000 ms 16 EQ filters |
| Direct routing | From any input to any output |
| System tuning | Integrated measurement platform for M1 |
Latency
| Analog or AES/EBU | 0.5 ms pass thru |
| DSP propagation delay | 0.37 ms |
| Signal distribution | Time-aligned redundant audio |
Inputs
| Milan-AVB | 8 channels from 2 independant AVB streams on etherCONTM 1 Gb/s Sampling frequency: 48 kHz or 96 kHz |
| AES/EBU | 4 AES/EBU channels (2 x AES3) on 2 female 3-pin XLR |
| AES/EBU Sample Rate Converter (SRC) | Operating at 24 bit / 96 kHz |
| Analog line | 4 line channels on 4 female 3-pin XLR (rear) |
| Analog mic/line | 4 mic/line channels on 4 female 3-pin XLR (front) 48 V phantom power Gain 0 to 60 dB 2nd order highpass filter 40 Hz |
| Processing per input | Mute, gain, polarity, gang |
Outputs
| Processing per output | Mute, gain, polarity, gang |
| Analog line | 4 line channels on 4 male 3-pin XLR |
| Milan-AVB | 8 audio channels from 2 independent Milan-AVB streams Sampling frequency: 48 kHz or 96 kHz |
| AES/EBU | 4 AES/EBU output channels (2 x AES3) on 2 male 3-pin XLR Sampling frequency and word length: 96 kHz at 24 bits |
| headphones | Stereo Minimum load : 32 ohms |
Interface
| Display | 1 TFT color touchscreen display (320 × 120 px) |
| navigation | 1 encoding wheel with push button |
Remote control and monitoring
| Network connection | Dual-port Ethernet Gigabit interface Milan seamless dual network redundancy |
| L-Acoustics remote control software | LA Network Manager |
| General purpose inputs and outputs (GPIO) | 2 GPI + 2 GPO on DB9 female connectors |
| Third-party management solutions | QSC® / SNMP / Crestron® |
Operating conditions
| Temperature | 0º C / 32º F to +50º C / 122º F |
Features
| Signal generator | Sine wave, sine bursts, sweep, white noise and pink noise |
| Media player | Stereo output at 24 bit / 96 kHz |
Physical data
| Height | 1U |
| Weight | 3.7 kg / 8.2 lb |
| Protection rating | IP30 |
Dimensions
